"THE MISER" Comedy by Moliere directed by Claudio Di Palma Teatro Stabile di Catania presents: LELLO ARENA THE MISER by Molière Vona and Fabrizio De Francesco Trio Directed by CLAUDIO DI PALMA
Although widely Plautina his inspiration to comedy , " The Miser " by Moliere is characterized by a structure quite different : it is longer and has different themes such as love and marriage . " The Miser " , along with " truffle " , in " The Imaginary Invalid " to " The Bourgeois Gentleman " , is one of the great comedies of Molière, one of the most famous , the most celebrated , the most represented and also one of the most imitated . " The Miser " is 1668 and enjoyed an immediate success , and this came later , little by little , to be considered the best of the comedies of Moliere. Has characteristics that make it a remarkably complete comedy and fun, because it Molière has put in all the ingredients , the grounds , the plots , the farcical scenes that make a hilarious " play " comic . The story of the miser Scrooge and its events that unfold bringing us into a world of intrigue and subterfuge that the aim of his intention not to endanger their own wealth , even if it means to go against their children. Weddings are not desirable , alliances, theft, projects blurred, misunderstandings are the center of a plot that takes us inside the story in which there is no shortage dialogues have become famous pieces of theater comedian of all time . A classic in a new production directed by Claudio Di Palma with Lello Arena , fresh from the success of "Captain Smash " on stage for two seasons , faces , after " George Dandin " and " Truffle " , for the third time in a text Molière in a role , Scrooge , who, as Squarzina writes , " has in it at the same time, the tragic and the comic . ´ Ask your child to show the servant of the other two hands , or impose found the original cook / coachman to prepare the chestnut among the first courses of a meal , are manifestations of the character of Arpagnone , hostage of an impulse stronger than him , so scenes more hilarious because enough little to make them objectively painful . John Macchia in " Silence of Molière " speaks of " a form in which the pain , disguised with rice , it becomes atrocious grimace ." It is this dialectic , always in the act of co-exist in the human heart of the " perpetrator " and " victim" to give to the mark of the great comedy theater
FRIDAY March 7 21.30 Teatro Impero - Marsala Info e pren. comp. Teatrale sipario 335.7308627 – 338.2615790 Prevendita: Pro Loco via XI Maggio, Curti Pianoforti via S. Domenico Savio Marsala
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